{"id":1952,"date":"2024-07-24T11:30:55","date_gmt":"2024-07-24T09:30:55","guid":{"rendered":"https:\/\/lasubterranea.es\/project\/como-las-cosas-amables-2019\/"},"modified":"2024-10-17T08:09:31","modified_gmt":"2024-10-17T06:09:31","slug":"como-las-cosas-amables","status":"publish","type":"project","link":"https:\/\/lasubterranea.es\/en\/escena-social-en\/como-las-cosas-amables\/","title":{"rendered":"COMO LAS COSAS AMABLES (2019)"},"content":{"rendered":"<p>Como las cosas amables is a collective work with people from ACOVA, Hogares compartidos, and Drama students. A reflection on personal horizons and limits. A work about how to take care of the group over personal interests.<br \/>\n&nbsp;<\/p>\n<h3 class=\"et_pb_toggle_title\">Synopsis<\/h3>\n<p>Close your eyes. Imagine fourteen people with different names and surnames heading towards the end. A horizon in construction, barely visible, demolished by good intentions and pollution.<br \/>\nOpen your eyes and stop imagining. There are those fourteen pairs of restless and renaissance pupils, on scooters, in tracksuits or with their mobile phones. They are precipitating into the emptiness of eyes that stare back at them. Sometimes they recycle and tell the whole truth; sometimes they are republican or not, and they are liars.<br \/>\nWe are on the terrace of a bar and it is spring.<\/p>\n<p>How do we order the omelette, with onion or without?<br \/>\n<\/br><\/p>\n<h2>ARTITISTIC AND TECHNICAL SHEET<\/h2>\n<p><\/br><\/p>\n<h3 class=\"et_pb_toggle_title\">Idea and direction<\/h3>\n<div class=\"et_pb_toggle_content clearfix\">\n<p>La Subterr\u00e1nea<\/p>\n<\/div>\n<p><\/br><\/p>\n<h3 class=\"et_pb_toggle_title\">Performers<\/h3>\n<p>Rosario Arias<br \/>\nIrene Gallardo Vieco<br \/>\nFlor Gallego<br \/>\nAna Lahoz Moral<br \/>\nAure Lerma<br \/>\nSergio Mart\u00ednez Mont\u00e9s<br \/>\nMar\u00eda Mascar\u00f3s Langa<br \/>\nIsidro Andr\u00e9s Ordaz Campos<br \/>\nSilvia Peir\u00f3<br \/>\nPablo Pla Lado<br \/>\nMaria Sarl\u00e9 Sol\u00e9<br \/>\nJorge Sosa Sosa<br \/>\nArantxa Tal\u00f3n Cort\u00e9s<br \/>\nIsabel Verdejo Tarin<\/p>\n<p><\/br><\/p>\n<h3 class=\"et_pb_toggle_title\">Coordination and dramaturgy<\/h3>\n<div class=\"et_pb_toggle_content clearfix\">\n<p>Ester Medrano, Ana Lacruz and Luc\u00eda S\u00e1ez<\/p>\n<\/div>\n<p><\/br><\/p>\n<h3 class=\"et_pb_toggle_title\">Lighting design<\/h3>\n<div class=\"et_pb_toggle_content clearfix\">\n<p>Diego S\u00e1nchez<\/p>\n<\/div>\n<p><\/br><\/p>\n<h3 class=\"et_pb_toggle_title\">Scenic Space<\/h3>\n<div class=\"et_pb_toggle_content clearfix\">\n<p>La Subterr\u00e1nea<\/p>\n<\/div>\n<p><\/br><\/p>\n<h3 class=\"et_pb_toggle_title\">Production<\/h3>\n<div class=\"et_pb_toggle_content clearfix\">\n<p>Luc\u00eda S\u00e1ez<\/p>\n<\/div>\n<p><\/br><\/p>\n<h3 class=\"et_pb_toggle_title\">In collaboration with<\/h3>\n<div class=\"et_pb_toggle_content clearfix\">\n<p>In collaboration with: Hogares Compartidos. ACOVA and Escuela del Actor.<br \/>\nResidency at Rambleta, Graneros de Creaci\u00f3n 2019.<br \/>\nDATES 31st May.<\/p>\n<\/div>\n<p><\/br><br \/>\n<iframe loading=\"lazy\" title=\"TEASER COMO LAS COSAS AMABLES\" src=\"https:\/\/player.vimeo.com\/video\/470543774?dnt=1&amp;app_id=122963\" width=\"1080\" height=\"608\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Como las cosas amables is a collective work with people from ACOVA, Hogares compartidos, and Drama students. A reflection on personal horizons and limits. A work about how to take care of the group over personal interests. &nbsp; Synopsis Close your eyes. Imagine fourteen people with different names and surnames heading towards the end. A [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1542,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"project_category":[27],"project_tag":[],"class_list":["post-1952","project","type-project","status-publish","has-post-thumbnail","hentry","project_category-escena-social-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/lasubterranea.es\/en\/wp-json\/wp\/v2\/project\/1952","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lasubterranea.es\/en\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/lasubterranea.es\/en\/wp-json\/wp\/v2\/types\/project"}],"author":[{"embeddable":true,"href":"https:\/\/lasubterranea.es\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lasubterranea.es\/en\/wp-json\/wp\/v2\/comments?post=1952"}],"version-history":[{"count":8,"href":"https:\/\/lasubterranea.es\/en\/wp-json\/wp\/v2\/project\/1952\/revisions"}],"predecessor-version":[{"id":2180,"href":"https:\/\/lasubterranea.es\/en\/wp-json\/wp\/v2\/project\/1952\/revisions\/2180"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lasubterranea.es\/en\/wp-json\/wp\/v2\/media\/1542"}],"wp:attachment":[{"href":"https:\/\/lasubterranea.es\/en\/wp-json\/wp\/v2\/media?parent=1952"}],"wp:term":[{"taxonomy":"project_category","embeddable":true,"href":"https:\/\/lasubterranea.es\/en\/wp-json\/wp\/v2\/project_category?post=1952"},{"taxonomy":"project_tag","embeddable":true,"href":"https:\/\/lasubterranea.es\/en\/wp-json\/wp\/v2\/project_tag?post=1952"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}