{"id":1848,"date":"2024-07-24T11:41:03","date_gmt":"2024-07-24T09:41:03","guid":{"rendered":"https:\/\/lasubterranea.es\/project\/pussy-koan-2014\/"},"modified":"2024-10-17T08:07:50","modified_gmt":"2024-10-17T06:07:50","slug":"pussy-koan-2014","status":"publish","type":"project","link":"https:\/\/lasubterranea.es\/en\/espectaculos-en\/pussy-koan-2014\/","title":{"rendered":"PUSSY KOAN (2014)"},"content":{"rendered":"<h2>ARTITISTIC AND TECHNICAL SHEET<\/h2>\n<p>&nbsp;<\/p>\n<h3>Synopsis<\/h3>\n<div class=\"et_pb_toggle_content clearfix\">\n<p>They could have been themselves but without being surprised by what it would have meant to be someone completely different, but then there would be nothing to tell. Three women present themselves to the spectator as they are, sharing their ghosts but also their dreams and longings. The constant questioning of identity leads them to travel unknown paths, from cooking themselves to reinventing their baptism, always aware of the violence implicit in all personal and social relationships. Pussy Koan is what happens when three women wonder who they are, who they were and who they want to be. You only know someone by what they do.<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<h3>STAGE DIRECTION<\/h3>\n<div class=\"et_pb_toggle_content clearfix\">\n<p>La subterr\u00e1nea<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<h3>CAST\/PERFORMERS<\/h3>\n<div class=\"et_pb_toggle_content clearfix\">Luc\u00eda Abell\u00e1n, Ester Medrano, Luc\u00eda S\u00e1ez.<\/div>\n<p>&nbsp;<\/p>\n<h3 class=\"et_pb_toggle_title\">DRAMATURGY<\/h3>\n<div class=\"et_pb_toggle_content clearfix\">\n<p>Luc\u00eda Abell\u00e1n, Ester Medrano, Luc\u00eda S\u00e1ez. (Extractos de textos- G. Belli. W. Szymborska. M. Morey)<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<h3>PRODUCTION<\/h3>\n<div class=\"et_pb_toggle_content clearfix\">\n<p>La Subterr\u00e1nea<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<h3>LIGHTNING<\/h3>\n<div class=\"et_pb_toggle_content clearfix\">\n<p>Diego S\u00e1nchez<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<h3>SCENIC SPACE<\/h3>\n<div class=\"et_pb_toggle_content clearfix\">\n<p>La Subterr\u00e1nea<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<h3>POSTER AND VIDEO DESIGN<\/h3>\n<div class=\"et_pb_toggle_content clearfix\">\n<p>Nacho Carrascosa<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<h3>PHOTO POSTER<\/h3>\n<div class=\"et_pb_toggle_content clearfix\">\n<p>Natalia Mud<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<h3>PHOTOGRAPHY<\/h3>\n<div class=\"et_pb_toggle_content clearfix\">\n<p>Jordi Pla<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<p>Three women present themselves to the spectator as they are, showing their true selves with intensity and without deception. Discovering the weight of their childhood, the burdens they carry, their desires and longings. Social impositions, fear, family, power, everything that constrains us and impedes our development. The fight to get rid of these corsets. Inspired by the Panic theatre movement of Jodorowsky, Arrabal and Topor, the play is a very plastic show, full of images and metaphors, a research work on \u2018identity\u2019, both collective and individual.<\/p>\n<p>&nbsp;<\/p>\n<div class=\"et_pb_module et_pb_text et_pb_text_2 et_pb_text_align_left et_pb_bg_layout_light\">\n<div class=\"et_pb_text_inner\">\n<p style=\"text-align: right;\"><em>Pussy Koan&#8217; presents three women talking about themselves. They pose dilemmas about their fears, dreams, complexes and longings, from the perspective of the absurdity of the unconnected interacting with symbolic elements A good example of non-conventional Valencian theatre. That of the risky surprise.<\/em><\/p>\n<p style=\"text-align: right;\"><em><strong>Jos\u00e9 Vicente Peir\u00f3<\/strong><\/em><\/p>\n<p style=\"text-align: right;\">\n<\/div>\n<\/div>\n<div class=\"et_pb_module et_pb_text et_pb_text_3 et_pb_text_align_left et_pb_bg_layout_light\">\n<div class=\"et_pb_text_inner\">\n<p style=\"text-align: right;\"><em>Las Provincias<\/em><\/p>\n<p style=\"text-align: right;\"><em>An aesthetically appealing and superbly conceived show. A surprising, beautiful speech, with humour and gravity.<\/em><\/p>\n<p style=\"text-align: right;\"><em><strong>Nel diago. Cartelera Turia<\/strong><\/em><\/p>\n<\/div>\n<\/div>\n<p><iframe loading=\"lazy\" title=\"PUSSYKOAN  TEASER (2014) HD\" src=\"https:\/\/player.vimeo.com\/video\/133530941?dnt=1&amp;app_id=122963\" width=\"1080\" height=\"608\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>ARTITISTIC AND TECHNICAL SHEET &nbsp; Synopsis They could have been themselves but without being surprised by what it would have meant to be someone completely different, but then there would be nothing to tell. Three women present themselves to the spectator as they are, sharing their ghosts but also their dreams and longings. The constant [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1570,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_et_pb_use_builder":"","_et_pb_old_content":"<h2>ARTISTIC CARD<\/h2>\r\n<h3 class=\"et_pb_toggle_title\">Synopsis<\/h3>\r\n<div class=\"et_pb_toggle_content clearfix\">\r\n\r\nThey could have been themselves but without being surprised by what it would have meant to be someone completely different, but then there would be nothing to tell. Three women present themselves to the spectator as they are, sharing their ghosts but also their dreams and longings. The constant questioning of identity leads them to travel unknown paths, from cooking themselves to reinventing their baptism, always aware of the violence implicit in all personal and social relationships. Pussy Koan is what happens when three women wonder who they are, who they were and who they want to be. You only know someone by what they do.\r\n\r\n<\/div>\r\n\u00a0\r\n<h3 class=\"et_pb_toggle_title\">STAGE DIRECTION<\/h3>\r\n<div class=\"et_pb_toggle_content clearfix\">\r\n\r\nLa subterr\u00e1nea\r\n<h3 class=\"et_pb_toggle_title\">CAST\/PERFORMERS<\/h3>\r\n<div class=\"et_pb_toggle_content clearfix\">\r\n\r\nLuc\u00eda Abell\u00e1n, Ester Medrano, Luc\u00eda S\u00e1ez.\r\n\r\n<\/div>\r\n\u00a0\r\n<h3 class=\"et_pb_toggle_title\">DRAMATURGY<\/h3>\r\n<div class=\"et_pb_toggle_content clearfix\">\r\n\r\nLuc\u00eda Abell\u00e1n, Ester Medrano, Luc\u00eda S\u00e1ez. (Extractos de textos- G. Belli. W. Szymborska. M. Morey)\r\n\r\n<\/div>\r\n\u00a0\r\n<h3 class=\"et_pb_toggle_title\">PRODUCTION<\/h3>\r\n<div class=\"et_pb_toggle_content clearfix\">\r\n\r\nLa Subterr\u00e1nea\r\n\r\n<\/div>\r\n\u00a0\r\n<h3 class=\"et_pb_toggle_title\">LIGHTNING<\/h3>\r\n<div class=\"et_pb_toggle_content clearfix\">\r\n\r\nDiego S\u00e1nchez\r\n\r\n<\/div>\r\n\u00a0\r\n<h3 class=\"et_pb_toggle_title\">SCENIC SPACE<\/h3>\r\n<div class=\"et_pb_toggle_content clearfix\">\r\n\r\nLa Subterr\u00e1nea\r\n\r\n<\/div>\r\n\u00a0\r\n<h3 class=\"et_pb_toggle_title\">POSTER AND VIDEO DESIGN<\/h3>\r\n<div class=\"et_pb_toggle_content clearfix\">\r\n\r\nNacho Carrascosa\r\n\r\n<\/div>\r\n\u00a0\r\n<h3 class=\"et_pb_toggle_title\">PHOTO POSTER<\/h3>\r\n<div class=\"et_pb_toggle_content clearfix\">\r\n\r\nNatalia Mud\r\n\r\n<\/div>\r\n\u00a0\r\n<h3 class=\"et_pb_toggle_title\">PHOTOGRAPHY<\/h3>\r\n<div class=\"et_pb_toggle_content clearfix\">\r\n\r\nJordi Pla\r\n\r\n<\/div>\r\n\u00a0\r\n\r\nThree women present themselves to the spectator as they are, showing their true selves with intensity and without deception. Discovering the weight of their childhood, the burdens they carry, their desires and longings. Social impositions, fear, family, power, everything that constrains us and impedes our development. The fight to get rid of these corsets. Inspired by the Panic theatre movement of Jodorowsky, Arrabal and Topor, the play is a very plastic show, full of images and metaphors, a research work on \u2018identity\u2019, both collective and individual.\r\n\r\n\r\n\u00a0\r\n<div class=\"et_pb_module et_pb_text et_pb_text_2 et_pb_text_align_left et_pb_bg_layout_light\">\r\n<div class=\"et_pb_text_inner\">\r\n<p style=\"text-align: right;\"><em>Pussy Koan' presents three women talking about themselves. They pose dilemmas about their fears, dreams, complexes and longings, from the perspective of the absurdity of the unconnected interacting with symbolic elements A good example of non-conventional Valencian theatre. That of the risky surprise.<\/em><\/p>\r\n<p style=\"text-align: right;\"><em><strong>Jos\u00e9 Vicente Peir\u00f3<\/strong><\/em><\/p>\r\n<p style=\"text-align: right;\"><\/p>\r\n\r\n<\/div>\r\n<\/div>\r\n<div class=\"et_pb_module et_pb_text et_pb_text_3 et_pb_text_align_left et_pb_bg_layout_light\">\r\n<div class=\"et_pb_text_inner\">\r\n<p style=\"text-align: right;\"><em>Las Provincias<\/em><\/p>\r\n<p style=\"text-align: right;\"><em>An aesthetically appealing and superbly conceived show. A surprising, beautiful speech, with humour and gravity.<\/em><\/p>\r\n<p style=\"text-align: right;\"><em><strong>Nel diago. Cartelera Turia<\/strong><\/em><\/p>\r\n\r\n<\/div>\r\n<\/div>\r\nhttps:\/\/vimeo.com\/133530941\r\n\r\n<\/div>","_et_gb_content_width":"","footnotes":""},"project_category":[25],"project_tag":[],"class_list":["post-1848","project","type-project","status-publish","has-post-thumbnail","hentry","project_category-espectaculos-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/lasubterranea.es\/en\/wp-json\/wp\/v2\/project\/1848","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lasubterranea.es\/en\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/lasubterranea.es\/en\/wp-json\/wp\/v2\/types\/project"}],"author":[{"embeddable":true,"href":"https:\/\/lasubterranea.es\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lasubterranea.es\/en\/wp-json\/wp\/v2\/comments?post=1848"}],"version-history":[{"count":14,"href":"https:\/\/lasubterranea.es\/en\/wp-json\/wp\/v2\/project\/1848\/revisions"}],"predecessor-version":[{"id":2169,"href":"https:\/\/lasubterranea.es\/en\/wp-json\/wp\/v2\/project\/1848\/revisions\/2169"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lasubterranea.es\/en\/wp-json\/wp\/v2\/media\/1570"}],"wp:attachment":[{"href":"https:\/\/lasubterranea.es\/en\/wp-json\/wp\/v2\/media?parent=1848"}],"wp:term":[{"taxonomy":"project_category","embeddable":true,"href":"https:\/\/lasubterranea.es\/en\/wp-json\/wp\/v2\/project_category?post=1848"},{"taxonomy":"project_tag","embeddable":true,"href":"https:\/\/lasubterranea.es\/en\/wp-json\/wp\/v2\/project_tag?post=1848"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}